UDM Libraries Book of the Week

By Kim Haines-Elitzen

Books and bodies, women and books, and the malleable word and flesh lie thematically at the center of The Gendered Palimpsest, which explores the roles that women played in the production, reproduction, and dissemination of early Christian books, and how the representation of female characters was contested through the medium of writing and copying. The book is organized in two sections, the first of which treats historical questions: To what extent were women authors, scribes, book-lenders, and patrons of early Christian literature? How should we understand the representation of women readers in ascetic literature? The second section of the book turns to text-critical questions: How and why were stories of women modified in the process of copying? And how did debates about asceticism–and, more specifically, the human body–find their way into the textual transmission of canonical and apocryphal literature?

Throughout the book, Haines-Eitzen uses the notion of a palimpsest in its broadest sense to highlight the problems of representation, layering, erasure, and reinscription. In doing so, she provides a new dimension to the gendered history of early Christianity.

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Edited by Linda Alcroft and John D. Caputo

Feminist theory and reflections on sexuality and gender rarely make contact with contemporary continental philosophy of religion. Where they all come together, creative and transformative thinking occurs. In Feminism, Sexuality, and the Return of Religion, internationally recognized scholars tackle complicated questions provoked by the often stormy intersection of these powerful forces. The essays in this book break down barriers as they extend the richness of each philosophical tradition. They discuss topics such as queer sexuality and religion, feminism and the gift, feminism and religious reform, and religion and diversity. The contributors are Hélène Cixous, Sarah Coakley, Kelly Brown Douglas, Mark D. Jordan, Catherine Keller, Saba Mahmood, and Gianni Vattimo.

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By Helen Castor

By Jeffery A. Brown

Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture addresses the conflicted meanings associated with the figure of the action heroine as she has evolved in various media forms since the late 1980s. Jeffrey A. Brown discusses this immensely popular character type as an example of, and challenge to, existing theories about gender as a performance identity. Her assumption of heroic masculine traits combined with her sexualized physical depiction demonstrates the ambiguous nature of traditional gender expectations and indicates a growing awareness of more aggressive and violent roles for women.

The excessive sexual fetishism of action heroines is a central theme throughout. The topic is analyzed as an insight into the transgressive image of the dominatrix, as a refection of the shift in popular feminism from second-wave politics to third-wave and post-feminist pleasures, and as a form of patriarchal backlash that facilitates a masculine fantasy of controlling strong female characters. Brown interprets the action heroine as a representation of changing gender dynamics that balances the sexual objectification of women with progressive models of female strength. While the primary focus of this study is the action heroine as represented in Hollywood film and television, the book also includes the action heroine’s emergence in contemporary popular literature, comic books, cartoons, and video games.

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